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Art in Drag offers an intimate encounter with the artist through a body of archival material that has only recently re-emerged.
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Art historian David J. Getsy places Arch Connelly’s pearl- and glitter-encrusted sculptures within central postwar art debates.
Essay
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AIR Senior Curatorial Advisor Vic Brooks explores the pipe organ as it pertains to place in the wake of Kali Malone’s Organ Concert, which premiered at AIR 2026.
Essay
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Chief Curator Daniel Merritt on Matthew Barney’s ZONE DEFENSE: Old Snowmass Parallax.
Essay
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Classicist Adrienne Mayor on geomythology, fossils, and deep time—reading Adrián Villar Rojas’s First Gods, Lost Animals as memories of futures past.
Essay
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Works by these artists and more will be auctioned in support of the Aspen Art Museum during ArtCrush 2026.
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A photo essay unpacking Lyle Ashton Harris’s Oracle—annotated fragments of ancestry, community, and loss, ahead of his AIR 2026 performance.
Essay
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Lyle Ashton Harris on his AIR 2026 commission: On Oracle, with collaborators Darnell L. Moore and Raymond Pinto.
In Conversation
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Henrot speaks with collaborators Adam Charlap Hyman and Eliza Ryan, moderated by Camille Okhio, ahead of the premiere of her first live work at AIR 2026.
Essay
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AIR Editor and Project Curator, Mariana Fernández, describes the immersive experience of viewing Lucy Raven’s AIR 2026 commission Murderers Bar.
Essay
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Alan Fletcher on the pipe organ’s entangled histories of music, technology, and architecture—ahead of Kali Malone’s AIR performance at Aspen Chapel.
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In honor of the upcoming ArtCrush Auction, Senior Curator-at-Large Stella Bottai shares her top picks.
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View the Aspen Art Museum’s 2026 Summer Newspaper.
In Conversation
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Adrián Villar Rojas and novelist Álvaro Enrigue on time, extinction, and myth—a 2025 AIR conversation revisited ahead of the artist’s Museum exhibition.
Essay
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Ahead of Straighten Your Wig and Pray, critic Carlo McCormick revisits the life and work of Arch Connelly.