Originally trained as a painter, Thea Djordjadze is best known for creating sculptural installations that combine found and constructed elements in carefully choreographed settings. Employing materials ranging from the elegant to the everyday, Djordjadze’s installations often suggest fragmentary arrangements of furniture and other functional objects, oscillating between such categories as abstraction and decoration, model and reality, process and product. And while her works may develop out of her interests in cinema, architecture, and literature, their references remain oblique, in effect setting a mood rather than telling a story. This is Djordjadze’s first major solo exhibition in North America.